New production of Tales of Hoffmann
Peter Darrell's production, Tales of Hoffmann, will be performed in Tokyo later this year.
This new production of Peter's work will open the New National Theatre Tokyo (NNTT) 2015/2016 Season on Friday 30th October 2015 at the Opera Palace, Tokyo.
Cinema screening 2015
There will be a special screening at Grosvenor Cinema, Glasgow, on Saturday, June 20, 2015, introduced by Elly Taylor.
Elly is an independent filmmaker and produced and directed the recent award winning film about Peter for BBC Scotland and BBC Four called "Peter Darrell Scotland's Dance Pioneer".Peter Darrell's "Houseparty" was commissioned by BBC2 in 1964 - it is an experimental ballet created especially for television, Peter choreographed the work for Western Theatre Ballet, now Scottish Ballet. The screening of the work is part of the Cottier Dance Programme.
Ticket information:
Date - Saturday 20th June 2015Time - 4pm
Tickets - £6/£8
Address - 31 Ashton Lane, Hillhead, Glasgow G12 8SJ
Box Office - 0141 339 8444A poem for Scottish Ballet
By Rob Foxcroft
It has been a great pleasure to watch the making of Scottish Ballet's new production of "The Nutcracker", and to find that Peter Darrell's child-centred version of this enchanting work has all its old magic.
After seeing the new production at the Edinburgh Festival Theatre, the following lines started to surface in my mind. They are just light verse, of course - but a smiling face can have a lot of feeling - a lot of memory - behind it.
To the members of The Scottish Ballet
14th December 2014
O dancers, and musicians too,
A letter follows, just for you!
In nineteen-hundred-eighty-seven,
When Peter Darrell went to heaven,
He left a will, and this contained
The way his works might be sustained:
He foolishly appointed me
To be his heir and try to see
How best to keep them on the stage
Through all the changes of the age.
The task was hard. He had not said
A word of what was in his head.
I learned with very great surprise
That I was asked to be so wise.
Last night I came through on the train,
Enduring winter’s cold and rain,
To see your bold and vivid show.
I wondered how his steps would go
On bodies groomed on other styles,
Unused to Peter’s arts and wiles.
I knew your legs would be just fine,
But would your arms sustain the line?
Would they express the story’s mood,
And every gesture be imbued
With meaning, character and thought,
As Peter always showed and taught?
Would idiosyncrasy be caught
In just the style in which it ought?
I found that I need not have feared;
There was not anything too weird.
The ballet shone, it gleamed and swayed,
The storyline was well conveyed,
And many feelings flooded through
The hearts of those who used to view
The company that Peter led,
Who heard from him the words he said,
Who saw him move and saw him cry,
Who saw him laugh and saw the sky
With stardust filled, and every child
Enraptured, with a heart as wild
As those of Clara and of Fritz,
Enjoying all the little bits
Of childhood magic, cheek and play,
The rats so fierce, the mice so fey.
Last night we found ourselves in rapture.
The company were quick to capture
The narrative in Peter’s mind,
The children’s world, so bright and kind,
The vivid story in the dance,
The drift of every passing glance.
I loved the re-imagined space,
The costumes rich and full of grace,
The lighting placed with easy skill
That leads the viewer where it will,
The fine musicians in the pit,
The music at the heart of it,
So sumptuous and full of joys,
With tunes whose elegance and poise
Made dancers’ bodies light and free,
So very light there seemed to be
A world of weightless energy
In which your bodies planed and soared
(And none of us was ever bored).
I have a great deal more to say
That must await another day.
It’s time to end these thanks in rhyme
For an experience quite sublime,
For giving life upon the stage
To steps made in another age
(When Julie wrote them on the page),
Whose still-invigorating life
Dissolved the residue of strife,
So that we thought of nothing sad,
But only things that made us glad –
A thousand humble thanks are due
To every single one of you.
Paul Arrowsmith's article on Peter Darrell in the Dancing Times December 2014 issue
Paul Arrowsmith's article 'Peter Who?' in the December '14 issue of the Dancing times highlights why Darrell left London creating a touring company producing works of wide and popular appeal. Was he ignored by the London establishment because of this decision?
As Scottish Ballet dancers rehearsed Peter Darrell's Nutcracker at their Tramway headquarters, Paul Arrowsmith discovers a name on the edge of history.
Summer 2014 newsletter and Nutcracker booking form
Here is the Summer 2014 Newsletter giving you the latest news, including update on Peter Darrell's 'Nutcracker', which we hope you'll enjoy. You can download it here.
You can also download the booking form for 'The Nutcracker' Celebration which takes place between the matinée and evening performances at the Edinburgh Festival Theatre on Saturday 13 December.
We are looking forward to welcoming you.